One of my patrons loved Pygmalion Redux, a 19x13 inches fine art print on archival paper. But, she wanted the painting, as a triptych measuring 74x36 inches for a large open wall space.
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In the dimly lit inner sanctum, there were some thirty pianos, each covered with a soft white sheet. Our host, a wealthy piano collector, told us various virtuosi and composers had owned these pianos. He asked us if we would like to hear a piece. Yeses and nods.
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“Sir, are you the man with the dog?” said the pretty airline representative. She resembled Sally Field when she had starred as the perky Flying Nun in the old TV series. We were standing near the lounge seats closest to the boarding gate. The plane was being cleaned and refueled.
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Who hasn’t experienced the feeling of wallowing in the self-pity of disappointment?
Let me suggest that there is a better way to liberate yourself from things that don’t seem to work out on your behalf.
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If you’ve been relying on a capricious muse to inspire your art, then read on.
Excerpt from my book, An Artist Empowered
The allegorical nature of the muse is certainly appealing, which is why these sisters of the pantheon persist into our time. The buildings that house art collections are, after all, called museums.
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